The Journey

Today is Epiphany, the celebration of the travels of the wise men to meet a new kind of king. The true identity of this long-promised baby was revealed to these Easterners. I have always been curious what these foreigners expected from this infant visit. Did they know intuitively, or from their charts, that they were to be included in the promises as well?

It is difficult to focus on a church calendar when the obligations of the world’s calendars force us to turn the page prematurely. Our Christmas decorations are mostly still up in our house, but we started back slowly into our home school schedule yesterday. Depending on the boy, we are turning our attention back to fractions and decimals, Latin, British history, poetry, and Christian worldview studies. My husband is back to work, albeit from his home office. Our friends are in the process of moving, and we are having to say goodbye. My daily Bible reading has pulled me back into Genesis chapter one and Job. We need to make decisions about how to care for my mother-in-law who lives in an assisted living home. My oldest is about to graduate from high school. I don’t feel I have stepped through this year of COVID-19, social and political tensions with the focus and strength required to face 2021. That is, I may have more in common with these dazed magi than I initially might have imagined.

Detailing their thoughts on the return journey would be purely speculative. And yet, speculate is precisely what T.S. Eliot does in his 1927 poem, “Journey of the Magi.” Eliot speaks from the perspective of one of these travelers as they make the long journey homeward. They have experienced a kind of revelation, a conversion of sorts, in witnessing this tiny deity, but Eliot’s description is unsettling. There is an honesty and sobriety in the final lines. There is no jubilant feeling of triumph at a newborn king. There is both salvation and death, however; there is ache and weariness, but newness.

It is a fitting piece for me to read as we enter 2021, turning our backs on a rough year, but with precarious hope, facing a new calendar. As we near the end of Christmastide, listen here to the poet’s own voice as he portrays the world entering the gospel story.

JOURNEY OF THE MAGI

“A cold coming we had of it,

Just the worst time of the year

For a journey, and such a long journey:

The ways deep and the weather sharp,

The very dead of winter.”

And the camels galled, sore-footed, refractory,

Lying down in the melting snow.

There were times we regretted

The summer palaces on slopes, the terraces,

And the silken girls bringing sherbet.

Then the camel men cursing and grumbling

And running away, and wanting their liquor and women,

And the night-fires going out, and the lack of shelters,

And the cities hostile and the towns unfriendly

And the villages dirty and charging high prices:

A hard time we had of it.

At the end we preferred to travel all night,

Sleeping in snatches,

With the voices singing in our ears, saying

That this was all folly.

Then at dawn we came down to a temperate valley,

Wet, below the snow line, smelling of vegetation;

With a running stream and a water-mill beating the darkness,

And three trees on the low sky,

And an old white horse galloped away in the meadow.

Then we came to a tavern with vine-leaves over the lintel,

Six hands at an open door dicing for pieces of silver,

And feet kicking the empty wine-skins.

But there was no information, and so we continued

And arrived at evening, not a moment too soon

Finding the place; it was (you may say) satisfactory.

All this was a long time ago, I remember,

And I would do it again, but set down

This set down

This: were we led all that way for

Birth or Death? There was a Birth, certainly,

We had evidence and no doubt. I had seen birth and death,

But had thought they were different; this Birth was

Hard and bitter agony for us, like Death, our death.

We returned to our places, these Kingdoms,

But no longer at ease here, in the old dispensation,

With an alien people clutching their gods.

I should be glad of another death.

  • T.S. Eliot, 1927

How does this wise man’s perspective make you feel? Was it worth pursuing the bright star to now carry this bright sorrow?

NEW

New

Jerry destroyed Oval. He ripped his seams wide open and pulled out all his stuffing. Jerry is our miniature labradoodle, and Oval is our eight-year-old’s favorite stuffed animal. He got him when he was about three years old on a trip to IKEA. He named him in the parking lot on the way to the car. He looks like this.

This is not how he looked after we stitched him back up. He was disemboweled beyond repair. This is the new Oval who appeared peeking out of my son’s stocking this Christmas morning. He was purchased via Amazon Prime. I might have thought that he would refuse this new imitation, that he would protest that this wasn’t the real Oval, but he didn’t. He was excited and reintroduced him to all his other stuffed friends. Here’s the thing- although the tiny bear was manufactured with thousands of others by the IKEA corporation, my son actually created him. His imagination is rich enough for him to realize that although his friend was given a new body, his essence, the one he created in his imagination and games and thoughts, was one and the same.

And this is what the Father wants for us. Every morning. Every year. When we are chewed up and destroyed, when we have nothing left to offer, he wants to make us into something new.

“Behold,” asserts the Son, “I am making all things new!” (Revelation 21:5).

And what is so spectacular is that he continues to do it over and over and over, never growing weary of his promise, never tiring of the work of creation, never wavering in his commitment to us and our relationship with him. He loves us and will always reintroduce us to his people.

As G.K. Chesterton notes in Orthodoxy,

“Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.”

He promises us a new heart (Ezekiel 11:19)

He promises us a new vision and purpose (I Peter 2:9-10).

He promises us a new authority, a new master (I Peter 2:16).

He promises us a new allegiance, no longer tied to a political empire nor economic securities. (Galatians 6:14-16).

He promises us we will be a new people, in a new type of place, full of joy (Isaiah 65:17)

He promises us a new home and a place of belonging (Hebrews 10:39)

He promises we will have a new attitude, eager for love and inclusiveness (Colossians 3:12-14, Romans 12:13-16).

He promises us a new attitude of mind and new identity of holiness (Ephesians 4:22-24).

He promises us his very self (Ephesians 1:13).

It will all be new, replenished, a continual renewal, a life lived in constant rejuvenation, not fettered by our fatigue, nor contingent upon our confidence.

When things are new they are shiny. A penny. A new bicycle. Even metaphorically, new things shine- a marriage, a new career. But what happens when the Christmas tree is taken down, or when the ornaments are packed into the basement, or when the marriage has lost its sparkle, or the job has its annoyances? What happens to the beauty of the new? It fades, doesn’t it? It dissipates. It sags and withers. Sometimes it is beyond stitching or repair.

But Christ desires to be there with us. His Spirit whispers and firmly suggests we might be ready now for him to work in us. Then, he hovers and does what he does best: creates something new. He recreates us, reshaping us to look more like his Son, though in his infinite imagination, maintaining our essence.

Happy New Year. May each new day shine forth revealing his glory. Each day is newly created for you. The new year will be just as new and fresh and full of grace in March and September and November as it will be on January first. His mercies are new every morning. They are continually replenished and created anew, because he loves to create. He does not grow weary. It is who he is.

When Narration Inspires: a ghostly retelling

Part of my New Year’s Day was spent on the floor of my basement while seven-year-old G scrunched down behind the sofa manipulating his stuffed animals to perform Charles Dickens’ A Christmas Carol. This season we have all been exposed to heavy doses of the redemptive ghost story. My family and I have watched three or four versions, including our favorite, the 2009 Disney one with Jim Carrey. We visited our local theater downtown with some friends and enjoyed a live performance. And probably most memorably we pulled out colored pencils and drawing paper while Patrick Stewart dramatically read to us the story on Audible. Thank you, Mr. Stewart! Do you remember when we were right behind you in the Starbucks line this summer in New York? At the one in Park Slope?

We began our immersion into Scrooge’s Christmas transformation in late November or early December, but it wasn’t until New Year’s Day when G invited me to our basement for his impromptu theater that I realized how much he had been internalizing the language, the story, and the message.

I attribute his burst of creativity to the steady practice of narration.

Narration is simply a retelling. Charlotte Mason, the British educator from the late 1800s to early 1900s, utilized narration in the earliest forms. Children as young as four or five were taught to retell a story, fable, or science lesson. We have practiced this a good bit in our home.

Although not in a strict Charlotte Mason manner, G has grown accustomed to hearing a story, then relating it back to me. This youngest and most verbose child of mine was not only an early reader but an eager listener. I now see the benefits coming to fruition. Even when I lack the patience to hear another story – and, believe me from this guy it happens daily – he reminds me with the words of Susan Wise Bauer, the author of our writing book, “But wait, Mom. I’m just getting to the ‘skeleton of the plot.'”

Narration does not just aid the eventual writing process, but it is writing at its rawest form. Unedited, unrevised in most cases, it allows the teller to recognize and create and verbalize his own thoughts. Never underestimate a child who realizes her ability to communicate.

And so, once it had been decided who of G’s stuffed friends would play Scrooge, and who would be ol’ Fezziwig,  I followed him downstairs as he adjusted the basement lighting and, surprisingly, managed a spotlight on “Mr. Monkey” as a lamplighter (never mind the fact that the light was imaginary and the “lighter” was a knitting needle). Thus, began his version of the familiar tale. I admit I was shocked at how well he remembered the story, how easily he moved the plot along. He had memorized large chunks of the dialog. “Bah. Humbug” was there, but so also were more obscure lines like, “Spirit, are they yours?…They are man’s…Beware them both.”

Although he left out chunks of the book and created a couple of extra scenes, they all seemed in the spirit of the novella. My favorite sections were when the stuffed tiger appeared as Jacob Marley sporting several glow stick necklaces as his “ponderous chain.” G’s Scrooge scoffs and amusingly adds to the famous line,

There’s more custard than cuss,

more gravy than grave about you.

Later, as the Ghost of Christmas Present bids a Teddy Bear version of Scrooge from his chambers, the miser looks around and asks, “What is all of this feast?” The Ghost answers, “It is the fruit of generosity. Something you have never shared.” This is a paraphrased line from Mickey’s Christmas Carol.

I applaud. I know this voluntary form of narration will tie the message even closer to his heart.

 

Ebenezer Scrooge and Tiny Tim. “Julius” was chosen as Tiny Tim for his size and because he had recently sustained a serious arm injury by the teeth of our six month old puppy. Dad saved the day by stitching him back up, but there remains an obvious scar. G explained, “Just like Tiny Tim has to walk with a crutch, it doesn’t matter if his arm looks different.” God bless us, everyone!

In the event that my narration of this puppet performance seems too impressive for a seven year old, rest assured, there was plenty of flipping back and forth off the couch, dead pauses while he changed characters, and some hand motions that I only assume were unclear due to the actors’ lack of thumbs. And yet, the meaning was there. He narrated what he remembered and what had stood out to him.

I learned a great deal about his memory that day, but even more about his heart.